And yeah im the guy going back and forth between lossless and wav like 300 times with the same song and you will all say im crazy but I heard a difference
There isn't a difference.
Lossless and WAV send exactly the same bits to the DAC in exactly the same order.
This is the danger of non-blind testing.
The objective way to test a situation like this is blindly, as with an ABX program. I have heard the arguments, and understand the problems with ABXing hardware - but lossless/WAV is a software issue and can be ABXed with 100% confidence in the procedure.
What I wanted to do is bypass the interal amp all together and change out the Wolfson chip for a 24bit unit so I can encode all my songs at higher resolutions.
The difference between 16 bit audio and 24 bit audio is wholly in the potential signal to noise ratio.
With 16 bit audio you have ~96dB of signal to noise ratio. That is very widely believed to be the limit of human's ability to differentiate sources.
An audio source with 96dB to play with can accurately reproduce the sounds of a jackhammer at two meters and a person breathing at three meters, both at the same time. If you think you could hear the person breathing - you still have more bits left.
Im really into super audio and dvd audio discs and im trying to get as close as possible.
One of the problems with SACD and DVDA discs is that they have unique mastering. Even the dual-discs have different mastering on the CDDA layer than the "high def" layer. The only way to properly test if you can hear the difference would be to rip a SACD or DVDA's high-def layer and make two encodes - one at native samplerate/bitdepth and one resampled down to 44.1/16. Then ABX between the two encodes with a good program like Foobar2000 - making sure to resample the 44.1 one back up so that any poor hardware upsampling is accounted for.